Salò, or the 120 Days of Sodom (Italian: Salò o le 120 giornate di Sodoma), titled Pasolini's 120 Days of Sodom on English-language prints[3] and commonly referred to as simply Salò (Italian: [saˈlɔ]), is a 1975 art film[a] directed by Pier Paolo Pasolini. Non è mai stato, appunto, “banale”. [32], Salò premiered at the Paris Film Festival on 23 November 1975, three weeks following Pasolini's death. Hélène Surgère as Signora Vaccari; lively and polite, she was molested as a very young child, but enjoyed it. Salò, or the 120 Days of Sodom/Salò o le 120 giornate di Sodoma part I part 2/2. [6] It is also the subject of an entry in The Penguin Encyclopedia of Horror and the Supernatural (1986). Giorgio Cataldi (the bishop) another friend of Pasolini, was a clothes seller in Rome. No scene of a sex act has been confirmed in the film until one of the libertines has approached its participants and sodomized the figure committing the act. Pasolini established that the violent scenes in Salò were symbolic and reduced the romanticism of his previous films, although knowing that once the film was premiered would be considered as damned. 1975 Horreur Italie/France. Maurizio Valaguzza as Bruno, The Collaborator; teenager cruel like Claudio who befriends him. He was chosen for the role because he had all "the characteristics of a decadent intellectual". Salò, ovvero quello che doveva essere il primo film della “Trilogia della morte”, rimane ancora oggi un film inimitabile, irripetibile e capace di rimanere uno “scandalo” anche a decenni dalla sua uscita. Adapté des Cent Vingt Journées de Sodome du … The Bishop then leaves to examine the captives in their rooms, where they start systematically betraying each other: Claudio reveals that Graziella is hiding a photograph, Graziella reveals that Eva and Antiniska are having a secret sexual affair and Ezio, a collaborator, and a black servant girl are shot dead after being found having sex, but not before Ezio makes a defiant Socialist salute. [35][36] Worldwide distribution for the film was supplied by United Artists. In conclusione Salò o le 120 giornate di Sodoma è semplice da decifrare in termini “allegorici”, ma complesso nella rappresentazione del potere e di come esso opprima gli indifesi. Once at the mansion is forced to be naked at all times. At the end, Sergio and Renata are forced to fondle each other and the men rape them to stop them from having sex with each other. KeithDonald2980. [9] During the creation of the first drafts of the script, Pasolini appealed to several of his usual collaborators, among them Citti, Claudio Masenza, Antonio Troisi and specially Pupi Avati. 47 on its list of "The Essential 100 films". [38], Pasolini on the film's depiction of sex, 1975. Susanna Radaelli – President's daughter married with the Duke. The shooting, carried out mainly in the 16th-century Villa Gonzaga-Zani in Villimpenta in the spring of 1975, was difficult and involved scenes of homophilia, coprophagia and sadomasochism. During this, the Magistrate engages with the Duke in three-way intercourse. The victims huddle together and cry and pray in the bathroom. The Pianist, looking out an open window, suddenly realises with horror what atrocities are being committed, and climbing out, throws herself to her death. In questo era simile, cioè era un elemento prezioso di qualsiasi società. In 1944 in the Republic of Salò, the Fascist-occupied portion of Italy, four wealthy men of power, the Duke, the Bishop, the Magistrate and the President, agree to marry each other's daughters as the first step in a debauched ritual. May have a soft spot for Graziella, and is in an apparently affectionate relationship with one of the studs. The soldiers shake hands and bid each other farewell. Then, there, too, he came the assistant director and if it is embraced. vo : Salò o le 120 giornate di Sodoma. En 1943, dans la république fasciste fantoche de Salo, quatre riches notables enlèvent neuf jeunes garçons et neuf jeunes filles de la région pour les emprisonner dans un somptueux palais. Laura Betti was also going to play Signora Vaccari, but also because of legal problems and prior commitments to Novecento declined the role, even though she doubled the voice of Hélène Surgère. The film remains banned in several countries and sparked numerous debates among critics and censors about whether or not it constituted pornography due to its nudity and graphic depiction of sex acts. Ciò che rende indimenticabile Salò o le 120 giornate di Sodoma – nel bene e nel male – sono dunque le immagini che Pasolini e un gruppo di attori hanno avuto il coraggio di scrivere – il primo – e di recitare – i secondi -. Benedetta Gaetani – Although she is not present in the blue ribbon ceremony, Benedetta is also killed in the massacre. Later, there is a Black Mass-like wedding between the studs and the men of power. Salò o le 120 giornate di Sodoma (1975) Salò, or the 120 Days of Sodom (1975) 68 of 85 [55][56] Rainer Werner Fassbinder also cited it as one of his 10 favorite films. The Pianist and Signora Vaccari tell jokes to make the victims laugh. È vero che Salò o le 120 giornate di Sodoma è un film irripetibile e unico, da un lato per la pellicola in sé dall’altro per la controversissima figura di Pier Paolo Pasolini, mai veramente accettato quando era in vita dal panorama culturale italiano. [34] In Italy, the film was initially rejected for screening by the Italian censorship, but received approval on 23 December 1975. Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou d'occasion. At the trial for Pasolini's murder, it was hypothesized that Pasolini was told the film reels were discovered in Ostia Lido. Italie, 1975, 1h55, VOSTF, interdit - 16 ans avec Paolo Bonacelli, Giorgo Cataldi, Umberto P. Quintavalle Le dernier film de Pasolini est l’un des plus polémiques de l’histoire du cinéma. [61], Upon the film's United States release, Vincent Canby of The New York Times wrote, "Salo is, I think, a perfect example of the kind of material that, theoretically, anyway, can be acceptable on paper but becomes so repugnant when visualized on the screen that it further dehumanizes the human spirit, which is supposed to be the artist's concern. Amazon.fr - Achetez Saló, o los 120 Días de Sodoma BD 1975 Salò o le 120 giornate di Sodoma à petit prix. The Bleeder: la storia vera del pugile che ispirò Rocky [recensione], Soul: il nuovo film della Pixar tra musica jazz e anima, a Natale su Disney+ [recensione], I’m Your Woman: Rachel Brosnahan alla ricerca di riscatto [recensione], Brutti, Sporchi e Cattivi: al via il crowdfunding per il capolavoro di Scola, Il Silenzio degli Innocenti: tutto quello che non sai sul capolavoro shock con Anthony Hopkins, Idee regalo per amanti del cinema e delle serie TV [anche a meno di 10€], Fino all’Ultimo Indizio: in streaming in nuovo film con Washington, Malek e Leto, Disney+: arriva Star con film e serie TV per adulti [anche Boris! Sergio Fascetti – Forced to marry, but kept from actual intercourse. Continuando a utilizzare questo sito senza modificare le impostazioni dei cookie o clicchi su "Accetta" permetti al loro utilizzo. È pur vero però che Salò o le 120 giornate di Sodoma è servito come ispirazione per tanti cineasti, come una sorta di “garanzia” che un cinema del genere, libero ed “estremo”, fosse possibile e che soprattutto potesse essere assorbito anche dal grande pubblico. The Duke enjoys tormenting her and at one point forces her to consume his feces. 1:10. In 1997, special permission was granted for the film to be screened uncut at a film festival. The Duke orders the guards and studs to undress her. Very hard to take, but in its own way an essential work. Intrigued, the President moons several slaves before prompting the stud to perform anal sex on him and the Duke sings "Sul Ponte di perati". Dorit Henke – Beautiful and rebellious; the most undisciplined of the girls. '—as the guards outside the door play cards. Lo “scandalo” de Salò o le 120 giornate di Sodoma risiede nella crudezza delle immagini. Using doubles, the same scenes were reshot but from a different angle. During a search for the victim with the most beautiful buttocks, Franco is picked and promised death in the future. Victim Umberto Chessari is appointed to replace Ezio. Giuseppe Patruno as Stud; the calmest of the studs. The sombre music during the final sequences is Veris Leta Facies, by German composer Carl Orff, using text from the Carmina Burana. [30], During production, some reels were stolen and the thieves demanded a ransom for their return. [74], The Nikos Nikolaidis film The Zero Years (2005) has been compared to Salò. Franco Merli was considered like a prototype of the Pasolinian boy. [4], In 2006, the Chicago Film Critics Association named it the 65th-scariest film ever made. Per il potere la villa è piacere, per i soggiogati è invece puro dolore. Ennio Morricone hardly contributed to SALÒ O LE 120 GIORNATE DI SODOMA (1975). [40], The film was not banned in the United States and received a limited release in October 1977; it was, however, banned in Ontario, Canada. Sonia Saviange as The Pianist; soft-spoken, she plays continuously during the day, but is secretly very distressed at the actions around her. J’avoue que je l’ai vu en deux fois, car il est assez dur à supporter. [44] The DVD print was apparently a modified version, causing outrage in the media over censorship and freedom of speech. 34 nº 2 in La minor. Il a été interdit au public pendant longtemps ce que je peux comprendre. However, the Australian Classification Review Board overturned this decision in February 1998 and banned the film outright, for "offensive cruelty with high impact, sexual violence and depictions of offensive and revolting fetishes". [54] David Cross and Gaspar Noé named it one of their favorite films. Bruno Musso – Carlo Porro; an outspoken boy who shows a foul mouth even to the Masters. I quattro gironi sono dunque puro piacere, senza “secondi fini”. [76], An exhibition of photographs by Fabian Cevallos depicting scenes which were edited out of the film was displayed in 2005 in Rome. Devo dire che sono reminiscenze di quello che ha fatto Pasolini in maniera geniale in un film come Salò. Her fate is unknown. [35] The approval, however, was withdrawn three weeks after the film's Italian release in January 1976 and it was formally banned. Thomasena Ngo. Salò o le 120 giornate di Sodoma (Türkiye) Die 120 Tage von Sodom (Deutschland) Saló o los 120 días de Sodoma (España) Top actus ciné de la semaine . Raped and killed at the end by hanging. 04777. La distanza temporale dall’uscita del film di Pasolini ci permette, sulla scorta delle parole di Assayas, di riflettere sul lascito di un’opera simile. [7], The film is separated into four segments with intertitles, inspired by Dante's Divine Comedy:[8]. Questo sito utilizza i cookie per fonire la migliore esperienza di navigazione possibile. Can only be reproduced in conjunction with promotion of the film. Premiering at the Paris Film Festival on 23 November 1975, the film had a brief theatrical run in Italy before being banned in January 1976, and was released in the United States the following year on 3 October 1977. A victim of the bullying of the collaborationists and the studs. The ceremony is interrupted when the Duke fondles several victims and prostitutes. It was first screened at the Old Compton Street cinema club in Soho, London in 1977, in an uncut form and without certification from BBFC secretary James Ferman; the premises were raided by the Metropolitan Police after a few days. A cut version prepared under Ferman's supervision, again without formal certification, was subsequently screened under cinema club conditions for some years. The President leaves to masturbate. [11] Salò is a toponymical metonymy for the Italian Social Republic (RSI) (because Mussolini ruled from this northern town rather than from Rome), which was a puppet state of Nazi Germany. dettagli Accetto. Killed at the end. A tal proposito, ricordiamo il celebre elogio dell’amico Alberto Moravia: Poi abbiamo perduto anche il simile. Cet objet peut être envoyé vers le pays suivant : États-Unis, mais le vendeur n'a indiqué aucune option de livraison. Two victims, Sergio and Renata, are forced to marry. Claudio Troccoli as The Collaborator; a teenager but cruel guard and as depraved as the Masters. Langue d'orig: italien. After the wedding, the Bishop consummates the marriage and receives anal sex from his stud. L’ultima opera di Pasolini, da un punto di vista “simbolico” è una delle più semplici da comprendere: il luogo in cui è ambientata – che è nel titolo – ha un chiaro riferimento storico, così come sono chiari e nitidi le personificazione del potere che vessano i giovani; un duca, un monsignore, un vescovo e un giudice, ovvero il potere dinastico, economico, religioso e giudiziario. [19] Aside from this theme, Pasolini also described the film as being about the "nonexistence of history" as it is seen from Western culture and Marxism.[20]. Salò o le 120 giornate di Sodoma Awards and Nominations. During the many days at the palace, the four men devise increasingly abhorrent tortures and humiliations for their own pleasure. The film is a loose adaptation of the 1785 book (first published in 1904) The 120 Days of Sodom by the Marquis de Sade, set during World War … À une semaine de l’Halloween, et après quelques dizaines (voire centaines, j’ai arrêté de compter) de courriels, textos, … Lire la suite. Docu: Making of Salò o le 120 giornate di Sodoma (1/4) Mickey Villegas. [52], The review aggregator website Rotten Tomatoes reports a 71% approval rating based on 38 reviews, with an average rating of 6.70/10. In 2001, the DVD was finally passed uncut with an 'R18' rating. The site's consensus reads, "Salò, or the 120 Days of Sodom will strike some viewers as irredeemably depraved, but its unflinching view of human cruelty makes it impossible to ignore. The film's final shot is of two young soldiers, who had witnessed and collaborated in all the atrocities, dancing a simple waltz together; one asks the name of the other's girlfriend back at home. Is forced to remain completely naked at all times just like the other daughters. [28] In-between working, the cast shared large meals of risotto and also had football games played against the crew of Bernardo Bertolucci's Novecento, which was being filmed nearby. Toward the end, the remaining victims are called out to determine which of them will be punished. Another day, the victims are forced to get naked and act like dogs. He is aware of his fate when he is found out and is shot to death while holding his fist in the air in a Socialist salute. ], Ultimo Tango A Parigi: tutto quello che non sai sullo scandaloso capolavoro di Bertolucci, Paradise – Una Nuova Vita: l’esordio di Davide Del Degan convince [recensione], Monos – Un Gioco da Ragazzi rilegge Il Signore delle Mosche [recensione], SALÒ O LE 120 GIORNATE DI SODOMA: L’EREDITÀ DEL CAPOLAVORO DI PASOLINI, SALÒ O LE 120 GIORNATE DI SODOMA È LA QUINTESSENZA DEL CREDO PASOLINIANO DEL “DIRITTO A SCANDALIZZARE”, COME PASOLINI HA RAPPRESENTATO LA PARTE PIÙ OSCURA DEL POTERE TOTALITARIO, abbiamo avuto la fortuna di sederci a un tavolo con il grande regista Olivier Assayas. The men angrily order the children to laugh, but they are too grief-stricken to do so. She also explains how she killed her mother over a dispute about her prostitution and Renata cries, remembering the murder of her own mother. [citation needed], For the book on which the film is based, see, Original Italian theatrical release poster. Efisio Etzi as Stud; most cruel and degenerate. 0:16. Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou d'occasion. 23 octobre 2015 par Paul Landriau *hors franchise. Commenting on the film's prevalent sexual themes, horror film scholar Stephen Barber writes: "The core of Salò is the anus, and its narrative drive pivots around the act of sodomy. Claudio Cicchetti – Confesses to the Bishop about Graziella's photograph, leading to a chain of revealed secrets. In the end, he is killed by having his left eye gouged out. Umberto Chessari – First a victim but later recruited off-screen as a collaborator, and replaces Ezio after he is shot. [22], Aldo Valletti (the President) was a friend of Pasolini from the time of Accattone. Salò ou les 120 journées de Sodome (Salò o le 120 giornate di Sodoma) de Pier Paolo Pasolini CINÉMA ET SCANDALES • MAI 2015 . Livraison et expédition. Other music was several Frédéric Chopin's pieces Preludes Op.28 nº 17 and nº4 and Valses Op. They are then taken outside and raped, tortured and murdered through methods such as branding, hanging, scalping, burning and having their tongues and eyes cut out, as each libertine takes his turn to watch as a voyeur. The interiors were shot in Villa Sorra near Castelfranco Emilia. 9:04 "Salò o le 120 giornate di Sodoma" di Pier Paolo Pasolini. Rinaldo Missaglia as Stud; like the Duke is strongly built. [39], The film was rejected by the British Board of Film Censors (BBFC) in January 1976. Oggi il film di Pasolini girato nel 1975, Salò o le 120 giornate di Sodoma, richiama alla riflessione sul caso Ruby e dei festini di Villa Arcore. Later, the other victims are presented with a meal of human feces. Victim of the collaborationists and the Magistrate.
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