[34] Many of the animal's intended movements were minimized; the crew did not move its ears because it made the supposedly repulsive creature "cute". Massive fans were used to keep equipment cool and prevent the lights from melting or warping the dock's interior artwork. … [13] The saucer explosion was simulated by blowing up a talcum powder-covered plaster dish. Reagan wrote of the film: "It wasn't too good. [34], The most laborious effects sequences took place inside Spacedock; months were spent completing the station's interior shots. November 1984 an. Makeup artist Thomas R. Burman suggested that Fletcher was asked to help because the studio neglected to contract the work out; Burman received a contract only three weeks before the start of photography. Spock's katra and body are needed to lay him to rest on his homeworld, Vulcan, and without help, McCoy will die from carrying it. Any mention of the production was removed from stationery and documents, and "Trois" (three, in French) was written as a code word. Star Trek VI: The Undiscovered Country [Blu-ray] [1991] by William Shatner Blu … In Stock. Quando Kirk … Wie im Vorgänger wurde William Shatner nicht wie gewohnt von Gert Günther Hoffmann, sondern von Klaus Sonnenschein synchronisiert. Nichols had always insisted on wearing a skirt; although the standard female uniform used trousers, the costume designer created a skirted version specifically for her. Obwohl dies bei den Fans Zuspruch fand, wurde der Film von Fans und Kritikern nicht so positiv aufgenommen wie sein Vorgänger Star Trek II: Der Zorn des Khan, was zu der unter Fans verbreiteten Ansicht beitrug, dass Star-Trek-Filme mit ungerader Nummerierung schlechter seien als die mit gerader Nummerierung. So wurde daraus schlicht ein klingonisches Schiff, das später immer wieder in den Serien Verwendung fand. [17] Bennett took the opportunity to flesh out the alien race, who he felt were ill-defined in the television series. Star Trek III: Auf der Suche nach Mr. Spock (Originaltitel: Star Trek III: The Search for Spock) ist ein US-amerikanischer Science-Fiction-Film aus dem Jahr 1984. … There had never been a good marriage between the forehead appliance and the actor's faces. Only 11 left in stock. [30] Simulated zero-gravity explosions were filmed and reflected onto a card using the same motion control program used for the models. Amazon.de - Kaufen Sie Star Trek III - Alla ricerca di Spock (versione cinematografica) günstig ein. [87] Conversely, USA Today praised the film as the best of the three and the closest to the original spirit of the television series. [33] The interior illumination was generated by outside fiber optics and 2,000- to 5,000-watt lights. [52], The fiery breakup of the Genesis planet involved fire, smoke, and earth upheaval. Da die Gagen-Forderungen seitens Alley jedoch unrealistisch hoch waren, sah man von einem weiteren Engagement ab. Bennett said that his television producer mentality "won out"; he added a "previously in Star Trek ..." film device, and had Kirk narrate a captain's log, describing his feelings and sense of loss. However, he has declared that he had no doubts about Nimoy's ability to direct the film. David muss außerdem erkennen, dass der Planet Genesis nicht nur rapide altert und instabil ist, sondern infolge dessen zu zerbrechen droht. Kirk trifft bei einem Besuch auf Spocks Vater, Sarek, den vulkanischen Botschafter und erfährt, dass Spock vor seinem Tod seine Katra (seinen Geist) auf McCoy übertragen hat und nur sein Körper gestorben ist. In Stock. [74][75] A novelization (.mw-parser-output cite.citation{font-style:inherit}.mw-parser-output .citation q{quotes:"\"""\"""'""'"}.mw-parser-output .id-lock-free a,.mw-parser-output .citation .cs1-lock-free a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/6/65/Lock-green.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-limited a,.mw-parser-output .id-lock-registration a,.mw-parser-output .citation .cs1-lock-limited a,.mw-parser-output .citation .cs1-lock-registration a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/d/d6/Lock-gray-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .id-lock-subscription a,.mw-parser-output .citation .cs1-lock-subscription a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/a/aa/Lock-red-alt-2.svg")right 0.1em center/9px no-repeat}.mw-parser-output .cs1-subscription,.mw-parser-output .cs1-registration{color:#555}.mw-parser-output .cs1-subscription span,.mw-parser-output .cs1-registration span{border-bottom:1px dotted;cursor:help}.mw-parser-output .cs1-ws-icon a{background:linear-gradient(transparent,transparent),url("//upload.wikimedia.org/wikipedia/commons/4/4c/Wikisource-logo.svg")right 0.1em center/12px no-repeat}.mw-parser-output code.cs1-code{color:inherit;background:inherit;border:none;padding:inherit}.mw-parser-output .cs1-hidden-error{display:none;font-size:100%}.mw-parser-output .cs1-visible-error{font-size:100%}.mw-parser-output .cs1-maint{display:none;color:#33aa33;margin-left:0.3em}.mw-parser-output .cs1-format{font-size:95%}.mw-parser-output .cs1-kern-left,.mw-parser-output .cs1-kern-wl-left{padding-left:0.2em}.mw-parser-output .cs1-kern-right,.mw-parser-output .cs1-kern-wl-right{padding-right:0.2em}.mw-parser-output .citation .mw-selflink{font-weight:inherit}ISBN 0-671-49500-3) was also released, and reached second place on The New York Times paperback bestsellers list. It featured a text commentary by Michael Okuda and audio commentary from Nimoy, Bennett, Correll, and Curtis. Merritt Butrick reprises his role as David Marcus, Kirk's son and a scientist who had helped develop the Genesis Device, from The Wrath of Khan. The constant travel took a toll on Ralston, who began to forget which airlines he was taking and what city he was in. [66] David and Saavik's discovery of Spock's empty coffin and burial robes parallels the evidence the Apostles found that pointed to Jesus' resurrection in the Gospel of Luke, asserts Kraemer. [8], In addition to his costume chores, Fletcher designed the Klingon and Vulcan makeup. [56], Among the other effects ILM had to produce were the transporter beam and the warp speed effect. The other worms were animated using pneumatic bladders that caused air to pass through hoses in sequence, creating an undulating motion. [93] Arnold wrote that Shatner missed an opportunity to act on par with The Wrath of Khan's revelation that Kirk was David's father. Translation memories are created by human, but computer aligned, which might cause mistakes. [105] Two years later, a two-disc "Collector's Edition" was released with supplemental material and the same video transfer as the original DVD release. In the standoff that follows, Kruge orders that one of the hostages on the surface be executed. 2013: Into Darkness • [59] Horner had written Spock's theme to give the character more dimension: "By putting a theme over Spock, it warms him and he becomes three-dimensional rather than a collection of schticks," he said. [28] Nimoy credited this early involvement with increasing the amount of creative input into the film's design and execution. [7], Nimoy, in addition to his directing duties, appears towards the end of the film as Spock, but only appears in the opening credits as the director. Possessing much of the campy, obvious charm of The Original Series, Star Trek III: The Search for Spock doesn't hold the weight, stature or sincerity of Star Trek at it's peak, but still manages to please and entertain as a stand-alone science fiction film. [31], The Klingon Bird of Prey's cloaking device required a new effect. During Kirk and Sarek's mind meld, Nimoy chose cuts that focused on accentuating the dialogue; "Instead of watching people's faces, all you see is the mouth or the eyes and you have the tendency to hear better," Correll explained. Star Trek III: Pátrání po Spockovi je akční film z roku 1984, spadající do žánrů akční, dobrodružný a sci-fi. Vor dem Abspann wird die Ankündigung „… und das Abenteuer geht weiter …“ eingeblendet. Die deutsche Synchronisation übernahm die Berliner Synchron GmbH nach einem Dialogbuch und unter der Dialogregie von Martin Großmann. [9] Fletcher and Burman agreed that the cragged foreheads of the Klingons in The Motion Picture were too prominent, obscuring the individuals' faces. Since the doomed planet was no longer a paradise, the art director, Nimoy, Bennett and Correll considered constant changes to the colors on the scenes, but decided not to get "fancy photographically". [107][108], The film was briefly removed from Netflix in August 2013 because of inaccurately translated Klingon and Vulcan subtitles. While the Genesis theme supplants the title music Horner wrote for The Wrath of Khan, the end credits were quoted "almost verbatim". John Larroquette plays Maltz, a member of Kruge's bridge crew whom Nimoy describes as "the thoughtful Klingon". On Genesis, the Klingons capture Marcus, Saavik, and Spock, and before Kruge can interrogate them, their ship signals that the Enterprise has arrived. [12] Many blinking consoles were rented from a props company rather than being fabricated. Sent from and sold by DVDMAX-UK. [8] Takei was dismayed to hear that his character was called "Tiny" by a guard at McCoy's cell during the film, and argued with the film's producer to have the line cut. Kruge beams back to the Bird of Prey. All six films in the set have new 7.1 Dolby TrueHD audio. Sie finden Rezensionen und Details zu einer vielseitigen Blu-ray- und DVD-Auswahl – neu und gebraucht. Nimoy said that Lloyd brought a welcome element of theatricality to the role. Kelley has the majority of the film's memorable scenes, but admitted to occasional difficulties in acting with and being directed by his longtime co-star. The realism of the dock scenes was heightened by live action footage of a cafeteria, with windows overlooking the dock interior. released at the same time, more than half of the nation's screens were filled by summer blockbusters. [17] To create the orange atmosphere, Correll used a large 15-by-15-foot (4.6 by 4.6 m) floodlight, created for the 1983 Peter Hyams film The Star Chamber, placed on the top of a 110-foot (34 m) crane. A graphic bird design was integrated into the ship's underside. [85][86] Roger Ebert called the film "good, but not great" and a compromise between the special effects-dependent The Motion Picture and the character-driven The Wrath of Khan. [27], Robert Fletcher, costume designer for the previous Star Trek films, was responsible for The Search for Spock's wardrobe. The commander of Starfleet, Admiral Morrow, visits the Enterprise and informs the crew the ship is to be decommissioned; the crew is instructed not to speak about Genesis due to political fallout over the device. 1986: IV: Zurück in die Gegenwart • [29] The Search for Spock was one of the first major feature films to use Eastman 5294, a color high speed negative film stock. [62] Horner also adapted music from Sergei Prokofiev's Romeo and Juliet for part of the Enterprise theft sequence and its destruction, while the scoring to Spock's resurrection on Vulcan was lifted from Horner's Brainstorm ending. For The Search for Spock, ILM were brought in much earlier, meaning that visual effects supervisor Ken Ralston and his team were involved from the planning stages. Saavik identifiziert das Kind als Spock. [12], The Genesis planet was produced via matte paintings and soundstages on Paramount lots under art director John Edward Chilberg II. [39] Opening the dock's space doors was problematic because the lights illuminating the inside of the dock from the exterior had to be hidden from the camera to prevent lens flares. [27], Nimoy and Bennett worked with effects company Industrial Light & Magic (ILM) to produce special effects, models, and live-action scenes. Februar 2021 um 22:06 Uhr bearbeitet. Effects cameraman Don Dow reasoned that since the ship was destroyed so quickly it did not make sense to spend a large amount of time building it. "The main part of the floor was rigged so that rocks would shoot up out of the ground [on catapults]. Stuntmen used spring-loaded platforms to launch themselves in the air. [13] Kirstie Alley, who had played Saavik in The Wrath of Khan, did not return to reprise her role because she feared being typecast. [34] Nimoy wanted the ship to be reminiscent of an attacking bird, with movable wings that changed depending on whether the ship was in a cruising or attack posture. (La ricerca del signor Spock!) [71] The Genesis Device was intended as a liberating technology, creating life from lifelessness, but in the Klingon view it is a tool for dominion (contrasting the contemporary views of how technology can promote or constrain liberty). [8] All but two days of production were filmed on Paramount soundstages, by cinematographer Charles Correll. Su Screenweek trovi tutte le foto e i poster del film Star Trek III: Alla ricerca di Spock, oltre a video, trailer e recensioni della redazione e degli utenti.
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